Authors:
Krystal L. Demaine
,
Amelia R. Castelli
Abstract
This article examines an arts-based research method that explores the intersection of meditation practice, landscape photography, and mixed-media response art. The original methodology and results were developed by the first author, who was mentored by the second author, the thesis advisor, during Bachelor of Fine Arts thesis work. The study hypothesizes that creating visual art in response to meditations in natural environments could lead to greater understanding of oneself, open space for vulnerability, and deepen a personal connection to nature and the ecology of one’s spirit. The method was conducted in four phases, starting with a daily meditation practice in natural outdoor environments, which was documented through photography, sketches, and written journals. Photographs and sketches of outdoor landscapes where the meditations took place were responded to with mixed–media art-making, resulting in five mixed-media collages created with layers of magazine clippings, tissue paper, pastel, acrylic paint, and pen on paper bags, vellum, and transparent Mylar. The collages illustrated photographic landscapes and layered soft colors, which were intended to bring viewers into a meditative environment to contemplate both the transparency and the layers in the final collage work. The use of visual art in response to meditation is discussed as a means of examining one’s inner concept, state of awareness, and relationships to the natural environment.
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