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Original Research Article

Dancing Across Cultures: Exploring Intercultural Pedagogy through Kecak Dance Experience for Malaysian Dance Teachers


跨越文化的舞动:通过凯卡克舞体验探索马来西亚舞蹈教师的跨文化教学法

Volume 12, Issue 1, Pages 28-39

Authors

Rivaldi Indra Hapidzin1,, Tati Narawati2,*, Trianti Nugraheni2,, Uus Karwati3
Affiliation:
1Art Education Study Program, Universitas Pendidikan Indonesia, Bandung, West Java, Indonesia
2Dance Education Study Program, Universitas Pendidikan Indonesia, Bandung, West Java, Indonesia
3Music Education Study Program, Universitas Pendidikan Indonesia, Bandung, West Java, Indonesia

Corresponding Author

Tati Narawati

ABSTRACT

This study explores how Kecak dance training contributes to embodied learning, intercultural pedagogy, and professional identity development among Malaysian dance teachers. Situated within Southeast Asian dance education, the study responds to the need for culturally responsive teachers’ professional development that moves beyond technical mastery toward intercultural awareness, empathy, and reflective pedagogy. A qualitative case study was conducted at Universiti Pendidikan Sultan Idris, Malaysia, involving ten dance teachers who participated in a Kecak training program. Data were collected through semi-structured interviews, participant observation, reflective responses, and documentation, then analyzed using reflexive thematic analysis. The findings reveal that Kecak training fostered embodied intercultural learning through collective rhythm, vocal interaction, circular formation, and synchronized movement. Participants developed deeper cultural sensitivity, collective awareness, and confidence in adapting intercultural dance pedagogy for multicultural classrooms. The study also shows that Kecak functioned as a symbolic and pedagogical bridge between Eastern embodied philosophies emphasizing harmony, spirituality, and collective embodiment and Western intercultural pedagogies emphasizing inclusion, critical reflection, and democratic learning. These findings contribute to scholarship on intercultural pedagogy, dance education, and professional identity by demonstrating how traditional performing arts can support transnational teacher learning, empathy, and Southeast Asian cultural dialogue.

摘要

本研究探讨了凯卡克舞(Kecak)培训如何促进马来西亚舞蹈教师的具身学习、跨文化教学法以及专业身份发展。研究立足于东南亚舞蹈教育背景,回应教师专业发展中对文化回应性教学的需求,即不仅关注技术能力的提升,更强调跨文化意识、同理心与反思性教学实践。研究采用质性个案研究方法,在马来西亚苏丹依德理斯教育大学(Universiti Pendidikan Sultan Idris)开展,共有十名舞蹈教师参与凯卡克舞培训。数据通过半结构式访谈、参与式观察、反思记录及相关文件收集,并运用反思性主题分析法进行处理。研究结果表明,凯卡克舞培训通过集体节奏、声音互动、圆形队列以及同步动作,促进了具身化的跨文化学习。参与者在文化敏感度、集体意识以及跨文化舞蹈教学能力方面均有所提升,并增强了在多元文化课堂中实施相关教学的信心。此外,本研究表明,凯卡克舞在强调和谐、灵性与集体具身的东方具身哲学,与强调包容、批判性反思及民主学习的西方跨文化教学法之间,发挥了象征与教学的桥梁作用。本研究丰富了跨文化教育、舞蹈教育与教师专业身份发展的相关研究,表明传统表演艺术能够有效促进跨国教师学习、文化同理心以及东南亚区域文化对话。

KEYWORDS

Kecak dance, Intercultural pedagogy, Teacher professional competence, Embodied learning, Malaysia, Southeast Asian dance education.

关键词

凯卡克舞, 跨文化教学法, 教师专业能力, 具身学习, 马来西亚, 东南亚舞蹈教育.

History

Received July 2026

Accepted July 2026

DOI

10.67806/CAET/2026/12/1/04

Author Notes

These authors contributed equally to this work.

*Corresponding author. Email:

Open Access

This is an open access article distributed under the CC BY 4.0 license (https://creativecommons.org/licenses/by/4.0/).

Copyright

© 2026 Inspirees International B.V. Published by Inspirees Publishing.

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Journal
Journal Creative Arts in Education and Therapy
Volume Volume 12
Issue Issue 1
Year 2026

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