CAET Journal
Volume 7, Issue 1, Pages 10-25
This article uses the concept of the scholar’s rock tradition from East Asia as a framework for the author’s curatorial project at Gallery Korea, Korean Cultural Center, New York. The contemporary art exhibition is discussed in relation to the traditional aesthetic. Universal connections between art and nature are included. Due to COVID-19 restrictions, the author developed a series of online events to address the main themes of the show with the artists in conversation with museum curators, art historians, and private collectors.
本文以东亚赏石传统概念作为作者在纽约韩国文化中心韩国馆的策展项目框架。当代艺术展讨论的是传统美学以及艺术与大自然之间的联结。由于COVID-19所限, 作者开展了一系列的线上主题活动, 对话交流的艺术家有博物馆馆长、艺术史学家和个人收藏家。
scholars’ rocks, suseok, suiseki, gongshi, Taihu rock, Lingbi stone, Richard Rosenblum, Kemin Hu.
赏石, 供石, 太湖岩, 灵璧石, Richard Rosenblum, 胡可敏.
Received 19 August 2021
Accepted 19 August 2021
This is an open access article.
